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Guide to Recording Guitars

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This article details microphone placement and recording tips, for information on mixing guitars see: EQ Mixing tips, Delay, and reverb

These microphone placement charts are from Shure's Microphone Techniques for Studio Recording

© Shure Incorporated. Used with permission.

Acoustic Guitar

Various microphone positions for acoustic guitar.© Shure Incorporated. Used with permission.
Various microphone positions for acoustic guitar.
© Shure Incorporated. Used with permission.
Microphone Placement Tonal Balance Comments
8 inches from sound hole (see diagram position #1) Bassy Good starting placement when leakage is a problem. Roll off bass for a more natural sound (more for a uni than an omni).
3 inches from sound hole (see diagram position #2) Very bassy, boomy, muddy, full. Very good isolation. Bass roll-off needed for a natural sound.
4 to 8 inches from bridge (see diagram position #3) Woody, warm, mellow. Mid-bassy, lacks detail. Reduces pick and string noise.
6 inches above the side, over the bridge, and even with the front soundboard. (see diagram position #4) Natural, well-balanced, slightly bright. Less pickup of ambiance and leakage than 3 feet from sound hole.
2-5 inches off the body from midway between bridge and lower left edge of the body of the guitar. Natural, well-balanced, a bit woody sounding, very little string noise. A good natural sound, sometimes really good when coupled with another mic that picks up more string noise.
8 inches in front pointing at the 12th fret of the guitar slightly stringier sounding, less bassy, more high end. Usually with this position one would use a small diaphragm cardioide condenser, can provide a good contrast to another mic that picks up more low end.
Miniature microphone clipped outside of sound hole. Natural, well-balanced Good isolation. Allows freedom of movement.
Miniature microphone clipped inside sound hole. Bassy, less string noise. Reduces leakage. Test positions to find each guitar's sweet spot.

Electric Guitar

The electric guitar has sound characteristics similar to the human voice. Thus, a shaped response microphone designed for voice works well.

Electric Guitar Micing Diagram from Shure's Educational Pamphlet Microphone Techniques for Studio Recording. © Shure Incorporated. Used with permission.
Electric Guitar Micing Diagram from Shure's Educational Pamphlet Microphone Techniques for Studio Recording. © Shure Incorporated. Used with permission.
Microphone Placement Tonal Balance Comments
4 inches from grille cloth at center of speaker cone (Diagram position #1) Natural, well-balanced Small microphone desk stand may be used if loud speaker is close to floor.
1 inch from grille cloth at center of speaker cone (Diagram position #2) Bassy Minimizes feedback and leakage.
Off-Center with respect to speaker cone (Diagram position #3) Dull or mellow Microphone closer to edge of speaker cone results in duller sound. Reduces amplifier hiss noise.
3 feet from center of speaker cone (Diagram position #4) Thin, reduced bass Picks up more room ambiance and leakage.
Miniature microphone draped over amp in front of speaker. Emphasized midrange Easy setup, minimizes leakage.
Mircophone placed behind open back cabinet. Depends on position. Can be combined with mic in front of cabinet, but be careful of phase cancellation.